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R/GA is an American international advertising agency headquartered in New York -- with additional offices in Austin, Los Angeles, San Francisco, Chicago, London, São Paulo, Buenos Aires, Singapore, Sydney, Stockholm, Berlin, Portland and Bucharest. The agency is part of the Interpublic Group of Companies, one of four global advertising holding companies. R/GA creates advertising and marketing products based in technology and design.


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History

R/GA, formerly R/Greenberg Associates, was founded in 1977, by two brothers, Richard and Robert Greenberg with $15,000 of capital. Richard was the designer, while Robert was the producer and cameraman. It has restructured its business model every nine years due to the CEO's belief in numerology. The company has morphed from a computer-assisted film-making company, to a digital studio, to an interactive advertising agency, an advertising agency with a digital focus and beginning in 2012, product innovation and consulting.

1977-1985: computer-assisted film making

R/GA was founded as a design company that focused on motion graphics, live-action film, and video production. By incorporating computers into the film-making process, R/GA created the first integrated computer-assisted production process. The company became known for creating the opening title sequence for Superman in 1978. R/GA's commercial work also includes trailers, special effects, and promotions for feature films like, Alien, Xanadu, Zelig, The World According to Garp, Altered States, Weird Science, Predator, Beverly Hills Cop, and Ghostbusters.

1986-1994: digital studio

R/GA created a digital studio that combined three separate media--print, television commercials, and feature films--under one roof. During the period R/GA was doing this, its body of work spanned approximately 400 feature films, including The Untouchables, Seven, Braveheart, Silence of the Lambs, Home Alone, Goodfellas, Die Hard, and Dirty Dancing, and 4,000 television commercials, including Diet Coke and Reebok. In 1986, R/GA won a technical Academy Award, and Richard Greenberg left the company to pursue other interests.

1995-2004: interactive advertising agency

In its third nine-year cycle, R/GA changed into an interactive advertising agency and secured IBM as a client. At the time, IBM was consolidating advertising agencies and selected R/GA to redesign the company's five-million-page website. The agency also developed websites for companies such as Levi Strauss & Co. and Ellis Island Museum. In 2001, R/GA expanded its client roster by becoming the Interactive Agency of Record for Nike and Verizon in 2003. The agency also started a retail practice and built location-based interactive displays for the flagship Original Levi's Store in New York City in 1996.

2004-2011

R/GA changed its agency model to account for the changing business needs of its clients in the digital age. The agency expanded globally, and built a more diverse offering including mobile, social, digital advertising, and brand development. R/GA also created digital marketing options for its clients and developed the Nike+ platform. The agency expanded its client roster to include Nokia (2004), L'Oréal Paris (2006), Walmart (2009), MasterCard (2009), Ameriprise Financial (2009), and Taco Bell (2009).

2011 onwards

In 2011 the New York Times reported the company would begin to offer clients event marketing and data visualization services followed by the additions of consulting and product innovation in 2012. Bob Greenberg felt that the company had become too large to manage and so decided to split the company into groups of 150 people. The Financial Times reported that Greenberg planned to expand the company into new countries through hiring people to establish new offices rather than acquiring existing businesses.


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Notable creative work

Superman (1978)

Created the opening title sequence for Superman by visually enhancing each name so it appears to be flying into the screen. The visual imagery and special effects developed for this film launched R/GA (then known as R/Greenberg Associates) as a visual-effects company.

Nike+ (2006)

Created an online brand platform that gives runners a tool to record, track, and share their running data. Nike+ connects runners to an online community and archives their training history to measure progress over time. In 2007, Nike+ won top honors at six separate shows, including Titanium and Cyber Grand Prix awards at the Cannes Lions International Advertising Festival, Black Pencil at D&AD, GRANDY at The International ANDY Awards, Grand Clio at The Clio Awards, and Best of Show at One Show Interactive. In 2009, Adweek named Nike+ "Digital Campaign of the Decade", Campaign named it the "number one digital ad of the Noughties", and Advertising Age named it one of the "best non-TV campaigns of the decade."

Love Has No Labels (2005-Present)

Focused on diversity and inclusion, the campaign's video was among the 10 most watched videos on YouTube in 2015.[28] The commercial for the campaign won the award for Best Commercial during at the 2016 Emmy Awards.[29] The 2 following campaigns "We Are America" and "Love Cam" are both nominated at the 2017 Emmy Awards.


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Awards

R/GA has received industry honors including Adweek's "Digital Agency of the Decade" and "Digital Agency of the Year" in 2009. Adweek also named R/GA its Digital/Interactive Agency of the Year in 2008, 2006, 2004, 2002, and 2000.

Advertising Age chose R/GA as one of its "Agencies of the Decade" in 2009 and featured the agency on its "Digital A-List" in 2009, 2008 and 2007. R/GA was also selected as OMMA's "Digital Agency of the Year" for 2009 and Creativity's "Interactive Agency of the Year" for 2007.

R/GA won the Grand Prix Media at the CannesLions International Festival of Creativity in June 2017.

Source of the article : Wikipedia



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